'Sulki Yu ...has a forthright sound and a marvellously secure technique'

-Richard Morrison, The Times

'...acutely tuned musicianship... brilliance and assurance...a very significant career in the making.'

-Edward Bhesania, The Strad, 2006

'...Sulki Yu...has a forthright sound and a marvellously secure technique. She made light work of the trilling harmonic double-stoppings in Sciarrino's Capricci.'

-Richard Morrison, The Times, 2009.

'...violinist Sulki Yu delivered mesmerising accounts of three of Salvatore Sciarrino's fricative Capricci and Edwin Roxburgh's rhapsodic Soliloquy 3.'

– Anna Picard., The Independant, Sunday, 2009

'Violinist Sulki Yu displayed wit and a kind of fervent grace in unfeasibly difficult music, including Bartók’s dizzying Solo Violin Sonata and Salvatore Sciarrino’s mysterious, often barely audible Capriccios.'

-Nick Kimberley, Evening Standard,2009.

'This year's selection of younger musicians with an interest in contemporary music got off to an excellent start with a well conceived recital by violinist Sulki Yu, who will have a great future if there is any justice in the crowded instrumental performance world.'

-Peter Grahame Woolf, Musical Pointers, 2009.

'Korean violinist Sulki Yu prefaced the Bartók solo sonata with Edwin Roxburgh’s gypsy-like Soliloquy 3 and three of Salvatore Sciarrino’s Capricci. She handled their demands with graceful aplomb, her silvery tone and lightness of touch lending each an engaging delicacy. Sciarrino’s Paganini-inspired Capricci, consisting almost entirely of harmonics, profited most from her refinement: she made them sound like oriental birdsong.'

-Andrew Clark, Financial Times, 2009.